Power electronics artist Puce Mary, Haunter records label head Heith, producer Francesco Leali and cellist Alessandro Branca collude on two tumultuous pieces soaked up in cello-driven ambience, cavernous processing, haunting vocals and futuristic glitch sequences.
For this first instalment we see the quartet delve deep into the study of dilated repetition counting largely on the use of a 1700’s cello built by Italian lutist Nadotti – breaking down, studying and reassembling it’s output into a meticulous yet unsettling approach.
credits
released July 12, 2019
Written and produced by Francesco Leali, Puce Mary, Heith and Alessandro Branca. Vocals performed by Puce Mary. Cello performed by Alessandro Branca. Additional production by Heith. Mixed and mastered by Francesco Fabris at Greenhouse Studios, Reykjavík, Iceland. Cover art by Francesco Merlini. Poster design and typography by Jesse Osborne-Lanthier. Cassette design by Riccardo Meroni.
supported by 31 fans who also own “An Exploitative Version of Surrogacy”
There is this feeling of a breath that can stop at any moment without knowing when. Everything becomes fragile and uncertain. Very interesting symbiosis between the instruments which seem to be one. Beautifully recorded. sylvain-levier
Less a solo act than a one-man megalith, Khôra builds impressive experimental soundscapes from modular synths, flutes, harps, and more. Bandcamp New & Notable Feb 19, 2020
Shards of static & distortion crash against disarmingly beautiful piano & synth melodies on this riveting new record from Carbon and Prose. Bandcamp New & Notable Oct 30, 2022
This wild experimental artist from Chicago uses electric kazoos, tape loops, and more to craft far-out, wonderfully confounding songs. Bandcamp New & Notable Mar 15, 2021
supported by 24 fans who also own “An Exploitative Version of Surrogacy”
Deep, interesting, strong and emotional. Just a great work. Liz Harris will always have something strong, special and surprising in the best artistic way. risovic